You know what makes me grumpy? All the Grumpy Old Men who appeared on the BBC TV series were younger than me, that's what makes me grumpy. Mutter, mutter....

The Grumpy Old Artist

The Grumpy Old Artist
Would YOU pose for this man???

Exhibition Poster

Exhibition Poster
Catterline Event, 2011

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Helford River, Cornwall

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Full-riggers "Georg Stage" and "Danmark"

Other Recent Works

Other Recent Works
Fordyce Castle and Village

Hay's Dock, Lerwick

Shetland-model Boats at Burravoe, Yell

Tall Ships Seascape

The Tour Boat "Dunter III", with Gannets, off Noss

The "Karen Ann II" entering Fraserburgh harbour

Summer Evening, Boyndie Bay

1930s Lerwick Harbour

Johnshaven Harbour

"Seabourn Legend"

Greeting Cards!

Greeting Cards!
Now Available in Packs of Five or in Assorted Sets of Four

Wednesday, 14 October 2009

LOST IN FRANCE

I believe that this was a Bonnie Tyler hit - it sounded like her well-gravelled emotional voice which belted out the lyrics of this song. I've been humming it intermittently all day, not because I've any particular liking for the Welsh vocalist or her music, but because of the song-title's aptness in my present situation.

You see, the painting, which was commissioned by my friend and regular client Magnus Schmidt, which I have spent the last three months producing, and which I had placed in the hands of Royal Mail's Parcelforce, on 28th September, for shipment to Provence, was last heard of in a depot belonging to Chronopost Roissy on 2nd October. Since then, it has disappeared.

I had insured the parcel for a sum which I felt was reasonable to compensate me for its possible loss, and I will make "bien sur" that I am compensated financially, at least, but what gets my goat is that I will now have to spend another three months producing a replacement artwork for my client. This time could have been spent on my next exhibition, for instance. The person who is responsible for the disappearance of this painting has stolen three months of my life, and I am annoyed about that. I don't know how many productive three-month periods of life are left to me, and I don't want to spend any of them repeating myself - I do enough of that during conversations with drunks and bureaucrats. And the nagging notion that a summer's work may have gone to provide a fix for a sticky-fingered French junkie isn't improving my mood at the moment.

I promise I'll be in a better frame of mind for my next post.

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