The first "Earl of Zetland" was launched on the Clyde in 1877. At only 186 grt, she wasn't big, but she provided a lifeline service for the next 60 years, ferrying passengers, cargo and livestock between Lerwick and the north isles of Shetland.
In 1938, she was replaced on the route by the new "Earl of Zetland", but, on the outbreak of war the following year, the new ship was commandeered to perform Admiralty duties. The old "Earl" was brought back into service on her old run for the rest of the war years, skippered by my uncle Adam Tait for this part of her long career.
My painting shows her steaming south through Linga Sound in a fresh northerly breeze. The viewpoint is from Whalsay, looking westwards. The original painting, with A4 and A3 limited edition giclee prints also available, can be purchased through the Gallery Shop pages of my website www.tait-gallery.co.uk
The Grumpy Old Artist

Would YOU pose for this man???
Exhibition Poster
Catterline Event, 2011
Oil Painting by Jim Tait

Helford River, Cornwall
Oil Painting by Jim Tait

Full-riggers "Georg Stage" and "Danmark"
Other Recent Works

Fordyce Castle and Village

Hay's Dock, Lerwick

Shetland-model Boats at Burravoe, Yell

Tall Ships Seascape

The Tour Boat "Dunter III", with Gannets, off Noss

The "Karen Ann II" entering Fraserburgh harbour

Summer Evening, Boyndie Bay

1930s Lerwick Harbour

Johnshaven Harbour

"Seabourn Legend"
Greeting Cards!
Now Available in Packs of Five or in Assorted Sets of Four
Showing posts with label seascapes. Show all posts
Showing posts with label seascapes. Show all posts
Sunday, 23 March 2014
Sunday, 24 February 2013
THE "ST. NINIAN"
This is the second painting that I've done with a print edition in mind, prompted by requests from visitors to my Toll Clock Centre stalls (the first being the "Swan" at the back end of last year). There is still a long list of gaps in my print and greeting card "repertoire". According to the good folks who take the trouble to visit the stall, my display is the poorer for the lack of Whalsay, Burra Isle, "up nort" and Unst representation. I'll do my best to make amends in the months ahead.
The MV "St. Ninian" was the third vessel to bear that name for the North of Scotland, Orkney and Sheland Steam Navigaton Company. She was built in 1950, and ran a weekly service between Leith, Orkney and Shetland, carrying passengers and freight between these destinations. When Leith ceased to be part of the company's operations, the ship was sold to Canadian owners for further trading in the early 1970s. During the early 1980s, renamed "Bucanero", she was being used for excursions in the Galapagos Islands, but I have no knowledge of what happened to her after that. Maybe somebody out there knows?
In my painting, she is pictured approaching Lerwick harbour in fresh weather, viewed from near the Bressay lighthouse, with the Scord of Quarff and Clift hills in the background.
Wednesday, 5 December 2012
"ST. GILES" (II) IN ST MAGNUS BAY
This painting has been a long time in the making, having stood half-finished, since early summer, in a corner of my studio, while I got on with more urgent tasks. Having "cleared my feet" of commissioned work, I was able to tackle my pending "on-spec" pictures, and this is the last of these. It depicts the second "nort boat" to bear the name "St. Giles", sailing south-westwards through St. Magnus Bay in fresh weather, having completed her day's business at Hillswick. The photograph shows a slightly foreshortened version of the painting, there being more of the Hillswick Ness "banks" to the right of the ship on the original artwork.
The ship replaced the old "St. Giles", which had been lost after running aground in thick fog on Rattray Head in 1902. The new vessel came into service in 1903 and, according to Alastair McRobb's excellent little book, The North Boats, was placed on the direct route, so the ship may never have been in St. Magnus Bay at all. Not for the first time, my depiction could be a "dadbusted lie", as the magistrate said in the Comancheros film!
What McRobb's book does not tell us is what end the second "St. Giles" made. Was she sold for further trading, or did she become a grounding casualty like her predecessor of the same name? She is not in the author's list of north boats sunk by enemy action in World War I. I would be very interested to know what became of this ship.
Last night I updated the website www.tait-gallery.co.uk by uploading the recently completed artworks (including the above) to the Gallery Shop pages. If you live in the islands, come and visit my stall at the Toll Clock Centre in Lerwick on Saturdays 8th and 15th December. The usual selection of prints and cards, including the new stock additions, will be on offer, and commissions can be discussed there too! All of it is also available to buy online through the website. Visit me on- or offline!
The ship replaced the old "St. Giles", which had been lost after running aground in thick fog on Rattray Head in 1902. The new vessel came into service in 1903 and, according to Alastair McRobb's excellent little book, The North Boats, was placed on the direct route, so the ship may never have been in St. Magnus Bay at all. Not for the first time, my depiction could be a "dadbusted lie", as the magistrate said in the Comancheros film!
What McRobb's book does not tell us is what end the second "St. Giles" made. Was she sold for further trading, or did she become a grounding casualty like her predecessor of the same name? She is not in the author's list of north boats sunk by enemy action in World War I. I would be very interested to know what became of this ship.
Last night I updated the website www.tait-gallery.co.uk by uploading the recently completed artworks (including the above) to the Gallery Shop pages. If you live in the islands, come and visit my stall at the Toll Clock Centre in Lerwick on Saturdays 8th and 15th December. The usual selection of prints and cards, including the new stock additions, will be on offer, and commissions can be discussed there too! All of it is also available to buy online through the website. Visit me on- or offline!
Sunday, 18 November 2012
THE "SWAN"
My latest painting shows Shetland's own tall ship heading southwards, with an easterly breeze in her sails. This is the first time I've done a "portrait" of the old lady for a while, although she appears in some of my Lerwick harbour paintings.
The "Swan" was built at Lerwick in 1900, and spent her first few years, under Lerwick owners, rigged as a lugger, as she long-lined for white-fish in spring, and took on drift-net gear for the summer herring fishing. She was bought by a Simpson-headed Whalsay partnership, who converted her to the fore-and-aft "smack" rig which she carries today. The sails disappeared as her main means of propulsion when she had an engine installed, and a wheelhouse fitted, in 1935. She fished on in this new "rig" until around 1960, participating in the new seine-net white-fishery from the late 1940s, long after most boats of her vintage had disappeared from the commercial fishing scene. She began a new career as a pleasure craft and houseboat south of the border, but fell into neglect, and actually sank at her moorings in W Hartlepool on several occasions. She was finally rescued from her plight, and the Swan Trust was formed in 1990 to restore her to her former glory as a sailing vessel. Her transformation was completed in 1996, since when she has been in regular use as a sailing boat, both running "tours" around Shetland, Orkney and the Western Isles, and competing in Tall Ships Races.
Olsen's Almanack, in the 1938 and 1950 editions (and presumably the ones in between too!), has her details as 18 tons nett, engine 21hp, and owned by T H Simpson and others, Whalsay. Manson's Shetland Almanac and Directory of 1949 lists her as 44.1 tons (presumably gross!), 60.4 keel length, and 75hp of engine. I don't begin to understand the difference in engine rating between the two publications, but no doubt a marine engineer will tell me! I have read somewhere else that her overall length is 68 feet.
I've painted her against a background of the Bressay lighthouse and the cliffs of the Ord and Bard on the south end of the island. The painting is currently in for scanning at my printer's, and I have been promised giclees of this work (both A4 and A3) to be ready for next Saturday's Toll Clock Centre stall. They'll also be available for sale online (as will the original painting) through the website. www.tait-gallery.co.uk
Have a good week!
The "Swan" was built at Lerwick in 1900, and spent her first few years, under Lerwick owners, rigged as a lugger, as she long-lined for white-fish in spring, and took on drift-net gear for the summer herring fishing. She was bought by a Simpson-headed Whalsay partnership, who converted her to the fore-and-aft "smack" rig which she carries today. The sails disappeared as her main means of propulsion when she had an engine installed, and a wheelhouse fitted, in 1935. She fished on in this new "rig" until around 1960, participating in the new seine-net white-fishery from the late 1940s, long after most boats of her vintage had disappeared from the commercial fishing scene. She began a new career as a pleasure craft and houseboat south of the border, but fell into neglect, and actually sank at her moorings in W Hartlepool on several occasions. She was finally rescued from her plight, and the Swan Trust was formed in 1990 to restore her to her former glory as a sailing vessel. Her transformation was completed in 1996, since when she has been in regular use as a sailing boat, both running "tours" around Shetland, Orkney and the Western Isles, and competing in Tall Ships Races.
Olsen's Almanack, in the 1938 and 1950 editions (and presumably the ones in between too!), has her details as 18 tons nett, engine 21hp, and owned by T H Simpson and others, Whalsay. Manson's Shetland Almanac and Directory of 1949 lists her as 44.1 tons (presumably gross!), 60.4 keel length, and 75hp of engine. I don't begin to understand the difference in engine rating between the two publications, but no doubt a marine engineer will tell me! I have read somewhere else that her overall length is 68 feet.
I've painted her against a background of the Bressay lighthouse and the cliffs of the Ord and Bard on the south end of the island. The painting is currently in for scanning at my printer's, and I have been promised giclees of this work (both A4 and A3) to be ready for next Saturday's Toll Clock Centre stall. They'll also be available for sale online (as will the original painting) through the website. www.tait-gallery.co.uk
Have a good week!
Labels:
giclees,
marine art,
oil paintings,
seascapes,
Swan,
tall ships
Sunday, 16 October 2011
FAIR STOOD THE WIND FOR......CATTERLINE?
The last two paintings for the Catterline exhibition are of sailing vessels, and this is the first of these. It features three of the windjammers which took part in this year's Tall Ships Race. From left to right, these are the Dutch brig "Morgenster", the barque "Europa" (also Netherlands-registered) and the Norwegian gaff-rigged ketch "Liv". The painting, on canvas, measures 30" x 20" (as you see, I've never been decimalised!).
Now ALL I have to do is finish the final painting (a 24" x 24" canvas), get these two framed, do the packing of paintings, hanging materials and personal effects, and we're off! According to the Met Office website, the long-term weather forecast is for unsettled conditions, with gales at times and near-normal temperatures, for early November. The near-normal temperatures should mean reasonable road conditions for driving on the mainland, but the gales I'm not so keen on, as they can disrupt ferry journeys. Let's hope that Guy Fawkes night falls on a "day atween wadders", as that's when we're booked to catch the blue canoe for the mainland!
People say I worry too much - maybe they're right! Have a good week - whatever the weather.
Now ALL I have to do is finish the final painting (a 24" x 24" canvas), get these two framed, do the packing of paintings, hanging materials and personal effects, and we're off! According to the Met Office website, the long-term weather forecast is for unsettled conditions, with gales at times and near-normal temperatures, for early November. The near-normal temperatures should mean reasonable road conditions for driving on the mainland, but the gales I'm not so keen on, as they can disrupt ferry journeys. Let's hope that Guy Fawkes night falls on a "day atween wadders", as that's when we're booked to catch the blue canoe for the mainland!
People say I worry too much - maybe they're right! Have a good week - whatever the weather.
Labels:
canvas,
Europa,
Liv,
Morgenster,
oil paintings,
seascapes,
tall ships
Sunday, 15 May 2011
OCEAN-GOING TALL SHIPS
When I held my last exhibition at the Creel Inn, Catterline, in early 2008, the success of it was due, in no small measure, to the efforts of my nephew Kenneth Halcrow. He provided the transport, he devised and executed the system for hanging the paintings, he drove all over the Mearns and beyond, distributing the posters which I'd had designed for the event, and he sought out and searched through DIY shops in Inverbervie and Montrose for more picture wire, a large amount of which turned out to be an integral part of the hanging arrangement.
He also chided and corrected me if my customer service came short of the mark. On the first afternoon, while we were in the process of the hanging operation, a couple of local men of senior years arrived to see what was on display. They were heard to lament the lack of sailing ships among the subject matter, and Kenneth made sure that I had taken note of this deficiency for future displays. He also saw that I handed out business cards liberally to anyone was showing even the slightest interest in the artworks. In short, if he had not been there supporting me (and I was still recovering from a serious knee complaint which had only been operated on a couple of months previously), I think I would have broken down and wept when I saw the magnitude of the task before me when I arrived at the exhibition venue that Monday morning!
So, mindful of the lack of sail-power evident in my last Catterline show, I have been doing a few tall ship paintings over the past year or so, and this is the latest. It depicts the 32.9m schooner "Johann Smidt" in fresh weather and an ocean swell, with one of the large 1980s-Polish-built flush-deckers in a trough behind her, and other sailing vessels visible in the distance. I'm quite pleased with my sea, and I hope it attracts some favourable comment (perhaps even a buyer ultimately!). It is available, along with many other goodies, from the Gallery Shop on my website http://www.tait-gallery.co.uk/Product-Page-1.aspx
The schooner "Johann Smidt" was built for Dutch owners in 1974 as the "Eendracht", but was sold to her current German owners when the new larger three-masted schooner "Eendracht" was built in 1989. Both these ships were in Lerwick in 1999 for the Tall Ships Race, and I hope to see them here again this year. I'm sure it will be a splendid spectacle and party, and I've booked my stall at the Toll Clock Centre for the occasion. Arr, Jim lad! See you there!
He also chided and corrected me if my customer service came short of the mark. On the first afternoon, while we were in the process of the hanging operation, a couple of local men of senior years arrived to see what was on display. They were heard to lament the lack of sailing ships among the subject matter, and Kenneth made sure that I had taken note of this deficiency for future displays. He also saw that I handed out business cards liberally to anyone was showing even the slightest interest in the artworks. In short, if he had not been there supporting me (and I was still recovering from a serious knee complaint which had only been operated on a couple of months previously), I think I would have broken down and wept when I saw the magnitude of the task before me when I arrived at the exhibition venue that Monday morning!
So, mindful of the lack of sail-power evident in my last Catterline show, I have been doing a few tall ship paintings over the past year or so, and this is the latest. It depicts the 32.9m schooner "Johann Smidt" in fresh weather and an ocean swell, with one of the large 1980s-Polish-built flush-deckers in a trough behind her, and other sailing vessels visible in the distance. I'm quite pleased with my sea, and I hope it attracts some favourable comment (perhaps even a buyer ultimately!). It is available, along with many other goodies, from the Gallery Shop on my website http://www.tait-gallery.co.uk/Product-Page-1.aspx
The schooner "Johann Smidt" was built for Dutch owners in 1974 as the "Eendracht", but was sold to her current German owners when the new larger three-masted schooner "Eendracht" was built in 1989. Both these ships were in Lerwick in 1999 for the Tall Ships Race, and I hope to see them here again this year. I'm sure it will be a splendid spectacle and party, and I've booked my stall at the Toll Clock Centre for the occasion. Arr, Jim lad! See you there!
Labels:
artwork,
exhibitions,
ocean swell,
oil paintings,
seascapes,
tall ships
Sunday, 27 February 2011
THE FIFTH AMENDMENT!

I reckon that's the number of times that I've made alterations to this painting over the six years since I first produced what I thought was a good representation of the MV "St. Clair".
She was completed in 1960 by the long-since-closed Hall Russell's shipyard in Aberdeen. She was the third ship to bear the name for the North of Scotland, Orkney and Shetland Steam Navigation Co. Ltd., and she turned out to be the last before this firm was taken over by Coast Lines Ltd in the mid-1960s, and this company was absorbed into P & O Ferries early in the 1970s. She was also the last side-loader on the route (the next "St. Clair" being the first ro-ro ferry), and consequently she was the last ship to use Victoria Pier for loading and discharging of passengers and cargo. I took my first trips to the mainland as a student on this ship, and I have many happy memories of wild nights on board.
The painting has spent most of the time since 2004 on the wall of the Lounge in Lerwick, and every time I looked at it, I knew that it needed more work done on it. The fifth, and, I hope, the last, changes were made to it about a week ago. I altered the sky, the angle of the horizon, the distant Sumburgh Head, and the sea behind and in front of the ship this time. I've been looking at the work off and on for the last week, and, for the first time, I have a sense of satisfaction about it. I hope and believe there will be no sixth amendment to this particular painting.
Labels:
artwork,
marine art,
seascapes,
ships,
The fifth amendment
Sunday, 30 January 2011
EYEMOUTH

Last week I promised that I'd have two more completed paintings to show you today. I almost succeeded, but the second one still has a couple of details to complete, so I've had to hold it over until I've done those.
Meantime, here is the "Dougals", a seine-netter which worked out of Eyemouth in the 1950s, approaching her home port after another trip. This work was a commission, and if anyone out there in the blogosphere would like a painting of a favourite boat or scene, I would be delighted to do the work. My contact details are on my website www.tait-gallery.co.uk, which also features many of my previous artworks, as well as a Gallery Shop, where original paintings, giclee prints and greeting cards are available to purchase.
Labels:
artwork,
commissions,
Eyemouth,
marine art,
oil paintings,
seascapes
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