You know what makes me grumpy? All the Grumpy Old Men who appeared on the BBC TV series were younger than me, that's what makes me grumpy. Mutter, mutter....

The Grumpy Old Artist

The Grumpy Old Artist
Would YOU pose for this man???

Exhibition Poster

Exhibition Poster
Catterline Event, 2011

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Helford River, Cornwall

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Full-riggers "Georg Stage" and "Danmark"

Other Recent Works

Other Recent Works
Fordyce Castle and Village

Hay's Dock, Lerwick

Shetland-model Boats at Burravoe, Yell

Tall Ships Seascape

The Tour Boat "Dunter III", with Gannets, off Noss

The "Karen Ann II" entering Fraserburgh harbour

Summer Evening, Boyndie Bay

1930s Lerwick Harbour

Johnshaven Harbour

"Seabourn Legend"

Greeting Cards!

Greeting Cards!
Now Available in Packs of Five or in Assorted Sets of Four
Showing posts with label Johnshaven. Show all posts
Showing posts with label Johnshaven. Show all posts

Sunday, 3 April 2011

HOWE O' THE MEARNS

I hope you like my landscape painting of a springtime scene in Howe o' the Mearns. This area has some of Scotland's richest farmland, where newly-ploughed fields are defined by others yellow with daffodil crops, bordered by rows of hawthorn bushes. Farmhouses, barns and clumps of trees add to the attractiveness of this part of what used to be south Kincardineshire and north Angus before boundary commissions made their arbitrary and senseless decisions about which new region should contain what. The hills of Glenesk and Cairn o' Mount are in the misty distance.

I was down in this area last Saturday, the main reason for my trip "south" being to use up my remaining two concessionary vouchers, for Northlink Ferries, (of which we 60-plus people get issued with four a year), before they became invalid on the 1st April. It's rather a good scheme, and I hope it survives the "austerity" measures through which the poor citizens of this country are going to pay for the extravagances of the rich. It was ever thus - why should it be different now?

The weather was disappointing for much of last Saturday. It rained on and off for much of the day, precluding any photography while it was in "on" mode. My brother and I first visited Stonehaven, then Catterline, the venue for my next Scottish mainland exhibition. The latter has been affected by landslides over the winter, although not as much as the former to the north. We next had a wander round Johnshaven harbour, which was much emptier of boats than last time we were here, and the tide was even lower. On to St. Cyrus we travelled, hoping to have a pot of tea and bacon-buttie at the Old Baker's Shop Cafe (which my brother can remember as a functioning bakery), but the place was closed. Over tea and scones at the St. Cyrus Hotel, the proprietrix told us that the cafe owners had emigrated to Dubai.

We headed inland from here, pausing for a few minutes to admire the splendid view west from the summit of the Hill of Garvock, where the whole of the Howe o' the Mearns stretches out from Laurencekirk to the crouching animal shape of the Hill of Wirren beyond Fettercairn. Last Saturday, however, the hill was obscured by mist. One of my favourite scenes is the red brick houses which lie to the left, as one approaches Fettercairn from the east on the B9120. The rain was holding off at this time, so I made my brother stop the car (in a massive pothole!) here while I got some digi-pictures of this. I intend to paint this scene soon.

On to Edzell, and lunch, as it always seems to be, was taken at the Panmure Arms Hotel there. It was excellent, as always. I had the beef olives, while my brother went for the haddock. Our next stop was Brechin, and I have not set foot in this attractive place since I once hitch-hiked from Aberdeen to Edinburgh on the inland route (big mistake - the jouney took nine hours!) in 1968. Instead of passing through the city, we parked the car and went for a walk through some of its streets, visiting the ancient cathedral, which was scaffolded inside and out, so there is obviously some extensive restoration taking place here. Under leaden skies, we walked for a while by the river South Esk, before setting off in the rain to Auchmithie, near Arbroath, where a welcome cup of tea awaited us at the home of our old friend from schooldays at Sandwick, Shetland, by the name of Kenneth Bull.

Kenneth, an architect by trade, and now in semi-retirement, has lived, with his wife, son and supercilious tabby-cat, in an old coastguard station atop a cliff at Auchmithie for many years. (The government wants all coastguard stations to be converted into private dwellings soon, and we are in the process of persuading them what a bad idea this is!). Kenneth gave us the sad news of the demise of the aforementioned cat during the winter. Although cats take a more realistic view of their own mortality than we humans do, I well know how distressing the loss of a pet cat can be, having witnessed the passing, some more suddenly than others, of some well-beloved ones of my own.

And then it was back up the coast road to Aberdeen, where we arrived at the Premier Inn next to the Cocket Hat just before 6pm. I checked in, had a rest, then had an evening meal and a pre-arranged pint with my old friend Alan Johnson later that evening. No sign of Lenny Henry anywhere, but I did see another couple of Shetlanders, who were obviously also overnight guests, occupying another table in the bar of the Cocket Hat. Wherever you go in this world, you'll find that a Shetlander is somewhere in the neighbourhood!

Wednesday, 29 July 2009

ARTY STUFF

If you've read yesterday's posts, you will have gathered that all is not well in the strange demented world of the Tait Gallery. Actually, it has not been too bad as far as commissions go, mainly thanks to my Saturday stalls over the past few weeks, but the Duff House exhibition, which has been carrying all my hopes and dreams of the last nine months, has been a disaster, as regards sales, so far, and, at this moment, with less than a fortnight to go, it has not yet paid its bills, let alone yielded a profit. True, it has attracted a lot of favourable comment, and generated considerable interest, but I can't proffer favourable comment in payment for a packet of Weetabix, nor will considerable interest pay my electricity bill. I leave to your own consideration the number of times I can spend the best part of a year producing a loss-making exhibition. You'll probably come up with the same answer I have.

The attitude of the press towards this exhibition has been most peculiar too. While the Aberdeen-based Press & Journal did a feature on the event during its opening week, the Banffshire Journal, which is the local newspaper covering the area in which Duff House is elegantly situated, has chosen to disregard it completely in its columns, instead choosing to send a photograph, of me gazing thoughtfully at my creations on the Tea-room wall, to the Shetland Times, who duly published it! I realise that the Banffshire Journal is is no way obliged to publish anything on this subject, but I would have thought that local events are part of the scope of their coverage. I can but come to my own conclusions on this matter.

I finished my latest head-banging project, the rather detailed work of Johnshaven harbour (pictured above), which has been occupying some of my time, and trying more of my patience, over the last three months. I think it looks not bad. However, you may think differently - please let me know! We artists, working, as we do, in a complete vacuum, can absorb unlimited quantities of constructive criticism, as this helps us to improve our output. The most disconcerting response is complete silence, a sound that is, alas, all too familiar to me.

I've held my little stall at the Toll Clock Shopping Centre, here in Lerwick, these last three Saturdays. As a result, I've sold quite a few prints and postcards, and received one or two commissions, with the likelihood of more to follow. The stall has proved to be a useful vehicle - a symbol of my continued presence, a kind of denial of my demise in peoples' consciousnesses. Or something. I find it reminds people, who may have forgotten, that I'm still here!

The Musa Art Cafe, near Aberdeen harbour, has offered to display up to six of my artworks, so some of my unsold Duff House works (there will be a lot to choose from!) will go on show as part of their Coast exhibition (everyone seems to have a Coast exhibition these days!), which opens in September. Their commission rates are even more punitive than those of Duff House, but what's a struggling artist to do during a depression? Answers on a blank signed cheque, please, to Jim Tait, 11c Union Street, Lerwick, Shetland ZE1 0ET. I look forward to hearing from you.