You know what makes me grumpy? All the Grumpy Old Men who appeared on the BBC TV series were younger than me, that's what makes me grumpy. Mutter, mutter....

The Grumpy Old Artist

The Grumpy Old Artist
Would YOU pose for this man???

Exhibition Poster

Exhibition Poster
Catterline Event, 2011

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Helford River, Cornwall

Oil Painting by Jim Tait

Oil Painting by Jim Tait
Full-riggers "Georg Stage" and "Danmark"

Other Recent Works

Other Recent Works
Fordyce Castle and Village

Hay's Dock, Lerwick

Shetland-model Boats at Burravoe, Yell

Tall Ships Seascape

The Tour Boat "Dunter III", with Gannets, off Noss

The "Karen Ann II" entering Fraserburgh harbour

Summer Evening, Boyndie Bay

1930s Lerwick Harbour

Johnshaven Harbour

"Seabourn Legend"

Greeting Cards!

Greeting Cards!
Now Available in Packs of Five or in Assorted Sets of Four

Wednesday 16 February 2011

MORE TERMINOLOGICAL INEXACTITUDES!


Yet more obsequious hand-wringing after the manner of Charles Dickens' character Uriah Heep (as illustrated by my drawing of my impersonation of the revolting chap!) is required. I just keep making mistakes and, unlike most of today's politicians, I'd prefer to admit to them! They usually end up costing me money too.
After telling you about my brilliant scheme to prevent ridging to my canvases being caused by the edges of the stetcher frames, using draught excluder strip, I invested in a couple of rolls of this product, only to discover that it was far too narrow for this purpose, and it was also self-adhesive, which is not a desirable property for my purpose either. So, another £7-odd wasted, unless I need a draught excluded at some point in the future.
Back to the drawing board, to coin the popular cliched phrase! I googled condensation sponge strip, and up came (amongst other things!) Drip Strip! Eureka! I bought some, I've tried it, and it works! It'll work even better when I refine the technique of applying it a bit.
More apologies for late posting, but I had to prioritize tasks, such as hanging my Lounge Bar mini-exhibition, which had been removed so that the pub owners could redecorate the place. I also had to update the website with recent works (http://www.tait-gallery.co.uk/), which is now done - I think! Uploading the images, creating thumbnails, using the Image Manager and doing all the necessary hyperlinking is tricky for an internet comparative newbie like me.
As to current artworks, progress is much as usual - slow but steady! I've begun modifying one of the Lounge mini-exhibition items. It was of the third ship to bear the name "St. Clair" on the Aberdeen to Shetland cargo/passenger route. I'd depicted her with Sumburgh Head in the background, but I'd made the land too close up, and this had been irritating me for years, so at last I'm doing something about it. I plan to work at this today. I'm working on another historical Shetland fishing boat commission, and I've begun a largish (40" x 20") painting of the Mearns, near Luthermuir, in April, when fields of daffodils can be seen giving the landscape striking bands of yellow against the dominant dull browns and greens. My next exhibition at the Creel Inn, Catterline, later this year, is the intended destination for this
work.
The days are visibly lengthening now, which is good for artwork production, although the weather is certainly not improving. We had storm force winds bearing rain across the islands for most of Monday, although yesterday was bright and mostly dry, if a little windy. The Met Office are forecasting snow for today. It's all part of the rich tapestry of life on my native islands, and I wouldn't have it any other way. Have a good week (what's left of it!) and I'll try to do better with my posting schedule in future!

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